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Because she
comes here just a few hours a week, you are lucky
to have
found her—
Mrs. Ito, who
is 94: you have to bend way down
and speak
loudly in her ear.
To ask for the
story she floats on these words: wreckage and sky,
the
wreckage and sky,
when she tells
how her house lost its moorings at midnight
to the
shoulders of the surf.
And how
because she could not swim she clung to a door
and rode
it until dawn.
April Fool’s
Day, 1946:
the whole
seaward part of town destroyed.
So the museum
sits now in the lee of the headland
across
from the bus station
where drunks
sail to sleep on its wooden benches—
the sun
outside has fried their hearts.
Wreckage and
sky, the turmoil and the clarity:
timbers
lobbed by the wave-crest
versus the
constant stars. Or the wild hair of the drunks
versus
the bright and placid bay.
For sixty
years she has sailed on the door
of her
story, and now she is sorry
she cannot
tell it well enough--she went to work
in the
hotdog plant some years
before the
wave. Yes,
there
were others who survived,
but they were
children, so they were quick,
outsprinting the surf—
they did not
spend the night
all
stretched out on the sea.
Which was a
deeper black than you could ever imagine,
though
what she says is:
All
my friends are dead—
not the
wreckage, just the clarity
when you get
to be so very old--or in the hospital
with no
brains left.
Only
me, she says:
she’s the
only one who was saved.
And then she
holds up her finger, for you
to throw
your life-ring on. |